So the wonderful Mark Fry and Friends show has been and gone, and what a resounding success it was. We'd all like to do more shows together, and judging from the reaction of the audience at
Village Underground they'd like us to as well. Watch this space.
From the heady heights of Thursday night it's back to the previous, slightly grubby matter in hand - nice grubby, rather than grubby grubby that is - Legacy preparation continues. I'm glad it's been raining recently, fills the reservoirs. Not enough for the farmers, but enough for me. (See footnote below.)
Film below: I guess you could call this Pre-Legacy prep. I don't know the programme, just caught it on late night TV. A lot of these old buildings are used as charismatic backdrops for TV programmes, which can be quite useful for planning, and it's always a buzz to see 'your' gaff on the telly. The only reason I can think of recommending the appalling film Sahara is to catch its
Pyestock moments -
Cell 3 and Cell 4 both dolled up for Matthew McConaughey and Penelope Cruz... I must say I pity the poor bastard assigned the job of getting the pigeon shit off everything before filming started.
Why at least some of these remarkable places can't be preserved in some historically relevant way, rather than just knocking them down for lorry distribution centres or turning them into inappropriate flats is beyond me. Go around the Ruhr valley and you'll see
disused industrial works turned into art and public spaces that respect the history of the place. A couple of years ago I live mixed
John Cale's Dark Days installation in the old coal works in Essen, now partially art spaces and a kind of a park. Families walking around, cafeterias, good buzz, while all the time the original coal machinery looms over you, reminds you how the place once was. I might be being a bit naive - when I naughtily popped over a locked gate to see the coal works close up I wound up in the junkie's den, not quite the family atmosphere I'm describing - but at least they're trying something, respecting where it all came from, appreciating how it defines the area and the people in it.
Not so here in the UK. Flatten it, move on. I would say Rant Over but I haven't even started yet.
Footnote: Someone told me recently I was being a right tease with the obtuse way I'm presenting what I'm doing at the moment, and to a certain extent I am, but there is a proper reason for that too: I'm not even half way through setting up this installation - by far the most complicated thing I've taken on - and if I made too much of a song and dance of it I'd probably have to abandon the whole thing. I've been planning this for months, with tricky-to-research purchases from China, Athens and Argos, so abandoning it is not an option, especially as I'm way beyond the 14 day return period for Argos.